HUFFINGTON POST: Wimbledon, Live from Frankfurt.


In our family, to think of Roger Federer as anything but the greatest player in the history of the game of tennis is nothing short of heresy; to extol his virtues would be like trying to fit one more angel on the head of a pin. And this was it, Federer versus Robin Soderling at the 2009 French Open, a historical event on par with witnessing Lord Nelson versus Napoleon at Trafalgar, Henry V versus Charles d’Albret at Agincourt. Now, Federer’s grail, his first win at the French Open, lay in sight, and with that victory, a chance at canonization like Saint Sampras before him. The red clay at Roland Garros never looked so promising.

And then, during the second set, with Soderling to serve, a man wearing a red shirt leaped from the bleachers and descended onto the court and ran up to Federer and put a hat on our hero’s head. My father was following the match on a very high definition television, a device which renders all sporting events and nature shows so immediate that fifteen minutes in, I get a headache and have to remove my glasses. Thus, I was in the next room, watching on a far less resolute screen, as security guards chased down the spectator. Then a more familiar disruption of play took place: The phone rang. After years of such calls, I already knew who it was, and already knew not to pick up the phone. Read more at The Huffington Post.

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HOUSE Magazine: The Whitney Museum.

House Magazine,
Issue #17, Summer 2011
The Whitney Museum.

With Warhols fetching princely – if not sheikhly – sums at recent auctions, it’s difficult to remember a time when American artists didn’t even have a home. But such a time did exist, and not so long ago. At the turn of the last century, Gertrude Vanderbilt Whitney, a young heiress by both birth and marriage, visited Europe, where she soon discovered the difference between New World and Old World artistic sensibilities: Europeans encouraged their young artists. Americans did not. As a budding sculptor in her own right, Whitney decamped to Paris, set up shop in XVI arrondissement, studied under August Rodin and became a sculptor in her own right. Upon her return to the States, she sought to emulate this European sensibility, and began her great patronage of the American arts with the Whitney Studio Club, an exhibition space for young painters and sculptors, built in the artists’ den that was Greenwich Village. As the years passed and her personal collection grew, Whitney tried to donate these works to the Metropolitan Museum of Art. They declined.

By adjoining two row houses to the Whitney Studio Club’s existing space, Whitney overcame this obstacle, and the inchoate Whitney Museum was born. Contemporary American art slowly started to creep from the avant-garde into the accepted, an advancement seemingly mimicked by the Whitney’s physical movement uptown – from its original home in the Greenwich Village, up to 54th Street in the 1950s.

In 1966, there was the move up to 75th and Madison. The museum’s new Upper East Side home was the work of Bauhaus architect Marcel Breuer. Considered a masterpiece, the Breur building, as it came to be called, never sat easy with the neighbours – its vast granite façade cut with asymmetrical windows, a very literal and monolithic dividing wall separating the colossus of a museum from the gentrified brownstones next door. Continue reading

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HUFFINGTON POST: Fridays, No More.

Sometimes, there is news too cruel to accept, too confusing for our fragile minds to comprehend, too painful for our psyches to accommodate. We see reports of blood on the streets. Europe is bankrupt. The stock market goes up. The stock market goes down. Congressmen flash their hoo-hah all over the internet. And yet, through it all, there was Friday.

For those who are unaware of Rebecca Black (a doubtful prospect, indeed!) or her magnificent corpus of sheer Euterpean delight (i.e., her one and only song, “Friday”), she is a 13-year-old native of Anaheim, California, a middle-school student, who, on a shoestring budget, recorded a music video that quickly went viral, though deeming the whole phenomenon “viral” would understate the gravity and reach of viruses — with 167,000,000 YouTube views (at least 4,000 of them being mine), more people have watched Ms. Black’s video than died in the 1918 flu pandemic. Read more at The Huffington Post.

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HUFFINGTON POST: We Are Friends.

An Open Letter from Colonel Gaddafi to the American People.

Text Martin Marks  Illustration Brian Fee

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To the Good Citizens of the United States of America,

Over the past several days, I’ve taken time out of what has proven to be an increasingly hectic, NATO-warplane-filled schedule to address my people as to the geo-political benefits of serving as human shields, and to write your Congress a heartfelt little thank-you note for their continued support. But, over the weekend, I realized something quite shocking.  It has been a long time since you and I last spoke! An inexcusably long time! For this, I must apologize. You must trust me when I say that it is quite a challenge to run a modern democracy—there are so many elaborate costumes!

Now, you might be a teeny-tiny, eensy-weensy bit angry at me. A lot of things have happened over the years, things that might be termed by some as being—how to put this?—“explosive” in nature, and perhaps—though nothing can be proven—originating from our country, kept happening. Please know that the people responsible for these deeds—certainly not anyone that we know—will most assuredly and decisively be punished, if they haven’t been already, which, undoubtedly, they already have. Read more at The Huffington Post.

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AVENUE: Tracy Pollan.


Born-and-bred New Yorker Tracy Pollan comes from a famous literary family, but decided to follow a different path to success. A working actress, she and husband Michael J. Fox—plus their beautiful children—have formed their own iconic family. Read more at Avenue Magazine.

Source: Avenue Magazine.

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HUFFINGTON POST: In Soft Water.

Back when I lived in Baltimore, there was a man named Mike, a nice enough guy save that when he went off his meds, he’d turn into Crazy Mike, an alter ego that liked to wander around Charles Village screaming at the top of his lungs about how flying monkeys were stealing his every thought. I begin with Crazy Mike’s cautionary tale because even though I’ve moved to a bigger city, with arguably even crazier people, I’ve felt a special kinship to him over this past year. While some might be up in arms over the New York City outdoor smoking ban that took effect today, I, rather, choose to focus my attention on a set of problems that seem to have been plaguing our city for the better part of a year, and that may prove just as imaginary as Crazy Mike’s airborne, thought- stealing simians. Read more at The Huffington Post.

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This Afternoon’s Aquatic Adventures.

From this afternoon’s wake boarding session near the Lake Worth pier, a seven foot hammerhead shark that passed away peacefully and rather close to the shore.

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ESQUIRE: Science in the Seams.

When I first started playing soccer in the early ’90s, my father used to tell me stories about his teenage league football in ’50s Manchester. Back then, they practiced with a soccer ball made of real leather, which, when waterlogged with Northern England’s mud and ice, became so heavy that it could break ribs.

From Esquire‘s Spring/Summer 2011 Big Black Book. Read more here, or purchase here.

Source: Esquire.

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AVENUE: Drena De Niro.


Drena De Niro grew up living the Hollywood dream—in downtown New York—playing as a kid on film sets with her famous father, actor Robert De Niro. As with many celebrity offspring, gigs as a model, a DJ and an actor followedRead more at Avenue Magazine.

Source: Avenue Magazine.

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Some Writerly Advice for March.

This morning, I wrote to a professor, and included a few lines at the end about the March-time Malaise that seems to spring up every year. Her response, with its accompanying wisdom:

MALAISE MAY BE some terrible wisdom.  I gardened, sort of, the other day and was amazed at the difference it made.  Outdoor exercise, in all weathers, is essential.  But it’s not just moving around; it’s locating an animal appetite, an unwisdom–not foolishness but an absence of knowing better.  So go outside, to a real outside, like the river or Central Park, and just walk around thinking how insipid the advice is and what you could better be doing with your time, and maybe you’ll feel some irrational lift. It is March which matters. Be well.  Bad things are every bit as temporary as good things.

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Fashion Week, Fall 2011.

Adam Kimmel + Carhartt Celebration.

When an invitation arrived for a celebration of the collaboration between Adam Kimmel, the American-born and Italian-studied menswear designer, and Carhartt, the workwear manufacturers, into the night I went. Read more at Paper Magazine.

Rad Hourani.

It’s perhaps difficult to distinguish between the genderless and the unisexual, let alone to render this distinction in clothes. But therein lies the work of designer Rad Hourani, who describes this concept as “gender agnosticism” — as in, there are genders, but not as we know them or wear them. Read more at Paper Magazine.

VMan Party.

It wouldn’t be a #NYFW (for those of you not on Twitter, that’s “New York Fashion Week”) without a Visionaire Magazine party, and this season, they teamed up with not-yet-opened Mondrian Soho to celebrate the 21st Issue of VMan. Read more at Paper Magazine.

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HUFFINGTON POST: The Eloquence of Peasants.

Several days ago, as the Twittersphere burgeoned with news of the situation in Egypt, an apocryphal piece of trivia from my undergraduate years — that I had double majored in Near Eastern Studies with a focus on Egyptology — came into play. For those expecting any tweets pertinent to these events, the protests come about 3,500 years too late, as my area of expertise pretty much ended with the reign of Ramses XI. Still, I tweeted my insight by way of a hieroglyphic excerpt from the “The Shipwrecked Sailor,” an Egyptian tale of a mariner lost at sea. Read more at The Huffington Post.

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L’Ergot Bleu, Part III.


Story Martin Marks     Illustration Jim Gaylord
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Read Part I §  Read Part II

IT TOOK TWENTY SMURFS to carry the giant lead weight attached to Brainy’s foot and Papa Smurf’s stretcher out to the drawbridge outside of Gargamel’s castle. Harmony Smurf started tapping out a drum roll on his drums. Several of the Smurfs ran forward, but those who did were immediately placed in shackles and marched back to the village, to await trial for High Smurf Treason, a new legal term amongst the villagers. After some loud bangs, the front door to the castle slammed open. The villagers watched as Gargamel, his bald head glistening in the sun and his potato-sack overshirt swaying in the breeze, went over to examine the package at the end of the drawbridge. The villagers ran and hid in the bushes, waiting. There was a tiny yelling, almost indiscernible from the whistle of the breeze through the forest. A giant smile erupted across Gargamel’s face as he lifted the weight up, brought it into his castle, and shut the door.

“But we’ll never know for certain if they’re dead,” Poet Smurf said to Smurfette.

“The only way we’ll know if they’re truly gone,” Smurfette said, “is if their spells stop working and everything returns to normal. In the meantime, I’m the Papa.”

In Gargamel’s laboratory, Brainy and Papa begged for mercy, saying that they’d deliver up the rest of the village if they were spared. “I’ll do anything!” Papa Smurf screamed. “Anything!”

“I’ve learned my lesson from countless years of trying to catch you Smurfs,” Gargamel said in his shrill voice. Gargamel, as vassal lord for the neighboring town, was a vicious landowner, wealthy enough until the wars started to the North and government tithing plundered his entire stock of gold. In his old age, Gargamel had grown fixated on the idea that the only thing that could restore his wealth and his food supply, for both him and his cat Azrael, was an indefinite supply of the little blue creatures that lived by his castle. “Two Smurfs in the hand is worth more than five-hundred in the bush.” He continued sharpening his meat cleaver. Continue reading

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L’Ergot Bleu, Part II.


Story Martin Marks     Illustration Jim Gaylord
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Read Part I

THE HARVEST FEAST was a grand celebration of everything Smurf. The villagers, forgetting the aches and pains of the past weeks spent in the fields, frenziedly prepared for the evening. Vanity scrubbed himself and liberally applied a lapis makeup all over his body, while Poet and Harmony coordinated their efforts in composing a special song for the occasion. For several days, Cook had been preparing acorn stew, rye bread, and boiled radishes. Wild Smurf had even come from the forest staggering under the weight of three baby Cornish Game hens, enough to feed the entire village several times over. Even though the village commonly believed that Greedy was malingering, Cook had Papa Smurf put two guards outside of Greedy’s toadstool just to make sure he didn’t consume all of the acorn stew by himself.

The tables were set up in a U-shape in the village square, covered in white sheets and decorated with giant tallow candles. The villagers strung the toadstools with captured fireflies, and the entire village glowed as if the morning dew had continued into nightfall. After Papa said the nightly Smurf benediction the villagers tucked into the feast, slurping at their soup, gobbling down the rye bread, and tearing at the three giant hens with their little blue hands. In between gulps of elderberry juice, singing and dancing started at the center of the tables. The villagers swayed back and forth to songs of working the fields and farming the harvest, and in the great joyous commotion, nobody except Brainy Smurf seemed to notice the two empty places at the center table.

Brainy had spent many hours arranging and bartering for the seat next to Smurfette. He eyed the bare wooden chair while Vanity continued on about how good he looked. “Does the bread taste funny to anyone?” Vanity asked when he was done bestowing compliments upon himself. Continue reading

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L’Ergot Bleu, Part I.


Story Martin Marks     Illustration Jim Gaylord
1

CLAVICEPS PURPURAE GROW during the wet springtime, dotting the summer crop with blackened, curved kernels – virtually indistinguishable from the usual sun-baked seeds appearing in every year’s harvest. A letter to the French Royal Academie des Sciences first documented these grains in 1676. The next year, John Ray, a British naturalist, made a brief observation of the same phenomenon.

But the villagers of a small town in Languedoc finished their summer harvest without knowledge of such things.  They picked their grain unaware that Philip de Valois had ignored Edward of England’s claim to the French throne, or that outnumbered English bowmen in Crecy had just defeated Philip VI’s far superior army, or that the Hundred Years War raged within their borders.

For the most part, the village didn’t know about the outside world. They didn’t need to. Every family had a home, and every home had a front yard. They lived in what could be called a benign oligarchy, a decentralized community where every member had their function and purpose, with no member outranking another. For reasons lost to time, most of the population was male. Some have hypothesized that homocentric fraternal ordering regulated the community. However, what few females there were in the community still served as equals. Male and female villagers alike farmed the communal fields in the morning and took to pastimes – singing, dancing, and other assorted merriments – in the afternoon. What little organizational ranking they had was led by a village elder. All the villagers trusted this village elder to make the larger decisions for the benefit of the whole. The villagers gave him a diminutive honorific as a title, roughly translating to the word “Papa.” Though he was leader, there was no confiscation of property, no forcible labor. The lazy could remain lazy and still get fed; in fact, the villagers used these traits for the nomenclature of their members. It was the combination of the American dream and the Communist ideal, some four centuries before America and some six centuries before Communism, and some three centuries before the blackened grains would be discovered in John Ray’s laboratory.

The village’s domiciles were arranged in no particular order; they sprouted out at random, blending naturally into the landscape. Each house was more or less the same, though some natural variations appeared in the roof colors of each abode. And had the village not been located in fourteenth century Languedoc France, one could quite easily have mistaken the place for a socialist Levittown, save for the fact that the buildings stood less than twenty centimeters tall and were constructed of toadstools.

Indeed, the villagers themselves had certain physical characteristics that made them unique; all the villagers had cerulean skin, and the tallest – called “Hefty” on account of his physical abilities – stood only eleven centimeters tall. Because of these physical differences, the villagers chose an honorific for the entire village, the word itself creeping into the common vocabulary to describe all things good and true. They called themselves Smurfs. Continue reading

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