Tag Archives: Art

Ceramics & Forms, Series I.

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A Brief Pictographic History of Love.

Presented above, please find a Brief Pictographic History of Love in Occidental Civilization, the gallery’s twelve images roughly spanning the period from when the Hapsburgs began their rule of the Holy Roman Empire, to Season 5 of The Hills (c. 1450-2009 CE).  The pedagogical ordering of the rows of this Brief Pictographic History:

  • Row 1: 1450-1930 (Religion)
  • Row 2: 1930-1950 (Film &. Suffering)
  • Row 3: 1950-2009 (Television &. Other Things)

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Bright Plastic Coelacanths.

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For some reason, at this very late hour, I’m drawn to thoughts of these Bright Plastic Coelacanths. I first saw this picture several years ago, while I was studying sculpture at RISD. (The installation took place somewhere in Japan, if memory serves, though I’ve forgotten the name of the artist.)

The first real coelacanth – of the previously alive, non-fluorescent variety – I saw was in a museum in East London, South Africa. It was the first coelacanth, as in, the first coelacanth found and stuffed and mounted in Modern History. I remember it being propped up on metal rods, forever hovering in a large glass case; the skin looked brown and stale and brittle – it was, after all, a big, dead fish. More vivid in my mind are the memories of going to the concession shop and, specifically, the drinking of Cream Soda which, for other unexplainable reasons, was bright neon green – quite similar, in tone and hue, to the Coelacanth in the far corner of the bright room above. Continue reading

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